{"id":11,"date":"2010-08-28T05:08:00","date_gmt":"2010-08-28T05:08:00","guid":{"rendered":"http:\/\/www.philipmorehead.com\/?page_id=11"},"modified":"2024-02-26T11:40:17","modified_gmt":"2024-02-26T17:40:17","slug":"repertory","status":"publish","type":"page","link":"https:\/\/www.philipmorehead.com\/staging\/repertory\/","title":{"rendered":"Repertoire"},"content":{"rendered":"

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\nOPERA CONDUCTING EXPERIENCE<\/a><\/strong>
\nINSTRUMENTAL CONDUCTING EXPERIENCE<\/a>
\nCHORAL & VOCAL (NON-OPERATIC) EXPERIENCE<\/a><\/strong>
\nPERFORMANCE EXPERIENCE<\/a><\/strong><\/strong><\/strong>
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\n. <\/span><\/p>\n

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OPERA CONDUCTING<\/h3>\n

FOR LYRIC OPERA OF CHICAGO<\/p>\n

Davis<\/span> Amistad (with Thomas Young, Florence Quivar, Stephen West)
\nStrauss, J. <\/span>Die Fledermaus (with Andrea Rost, Bo Skovhus, Marlis Petersen)
\nVerdi<\/span> Un ballo in maschera (with Sondra Radvanovsky, Frank Lopardo, Mark Delavan, Stephanie Blythe)
\nSullivan<\/span> The Mikado (with James Morris, Stephanie Blythe, Neal Davies, Andrew Shore, Toby Spence, Andriana Chuchman)
\nJan\u00e1\u010dek<\/span> Cunning Little Vixen (student matin\u00e9e, with Nicole Cabell, Quinn Kelsey, Lauren Curnow)
\nVerdi<\/span> La traviata (student matin\u00e9e, with Maria Kanyova, Brian Montgomery, Michael Sommese)
\nBizet <\/span>Carmen (student matin\u00e9e, with Buffy Baggott, Mark Thomsen)
\nBizet <\/span>Carmen (student matin\u00e9e, with Katharine Goeldner, Richard Cox, Amanda Majeski)
\nLeoncavallo <\/span>I Pagliacci (student matin\u00e9e, with Jill Bowen Gardner, Arnold Rawls, Daniel Billings)
\nMozart<\/span> Die Zauberfl\u00f6te (student matin\u00e9e, with Ren\u00e9 Barbera, Paul La Rosa, Audrey Luna, Kiri Deonarine)<\/p>\n

FOR LYRIC OPERA OF CHICAGO (cover conductor)<\/p>\n

Adams<\/span> Doctor Atomic (Robert Spano)
\nArgento<\/span> The Voyage of Edgar Allan Poe (Christopher Keene)
\nBeethoven <\/span>Fidelio (Christoph von Dohnanyi)
\nBerlioz<\/span> La damnation de Faust (Sir Andrew Davis)
\nBizet<\/span> Carmen (Sir Andrew Davis)
\nBritten <\/span>Billy Budd (Sir Andrew Davis)
\nDavis <\/span>Amistad (Dennis Russell Davies)
\nDvo\u0159\u00e1k <\/span>Rusalka (Sir Andrew Davis)
\nFloyd<\/span> Susannah (Julius Rudel)
\nGershwin<\/span> Porgy and Bess (Ward Stare)
\nGluck <\/span>Orfeo ed Euridice (Harry Bicket), Iphig\u00e9nie en Tauride (Louis Langr\u00e9e)
\nGounod<\/span> Faust (Sir Mark Elder)
\nHandel <\/span>Giulio Cesare (Emanuelle Ha\u00efm), Xerxes (John Nelson), Hercules (Harry Bicket)
\nJan\u00e1\u010dek<\/span> Jen\u016ffa (Sir Andrew Davis), Kat’a Kabanov\u00e1 (Markus Stenz)
\nLevy <\/span>Mourning Becomes Elektra (Richard Buckley)
\nMascagni<\/span> Cavalleria rusticana (Renato Palumbo)
\nMassenet<\/span> Manon (Emmanuel Vuillaume), Werther (Sir Andrew Davis)
\nMenotti<\/span> The Consul (Richard Buckley)
\nMozart<\/span> Don Giovanni (Christoph von Eschenbach, Sir Andrew Davis), Die Zauberfl\u00f6te (Sir Andrew Davis)
\nMussorgsky<\/span> Boris Godunov (Sir Andrew Davis)
\nOffenbach<\/span> Les contes d’Hoffmann (Emmanuel Vuillaume)
\nPuccini<\/span> La Boheme (Sir Andrew Davis, Emmanuel Vuillaume), Tosca (Sir Andrew Davis, Stephen Lord)
\nSondheim<\/span> Sweeney Todd (Paul Gemignani)
\nStrauss<\/span> Die Fledermaus (Asher Fisch, Ward Stare)
\nTippett<\/span> The Midsummer Marriage (Sir Andrew Davis)
\nTchaikovsky<\/span> Eugene Onegin (Sir Andrew Davis)
\nVerdi<\/span> Falstaff (Sir Antonio Pappano), Rigoletto (J\u00e9sus L\u00f3pez Cobos), Il trovatore (Bruno Bartoletti), Ernani (Renato Palumbo), Aida (Renato Palumbo), Otello (Bertrand de Billy)
\nWagner<\/span> Die Meistersinger (Christian Thielemann, Sir Andrew Davis), Tristan und Isolde (Semyon Bychkov), Der fliegende Holl\u00e4nder (Sir Andrew Davis), Parsifal (Sir Andrew Davis)
\nWeill<\/span> Street Scene (Richard Buckley)
\nWeinberg<\/span> The Passenger (Sir Andrew Davis)<\/span><\/p>\n

FOR HIGHLANDS OPERA STUDIO, Haliburton, ON, Canada<\/p>\n

Gounod<\/span> Faust (with France Bellemare\/Lauren Margison, Kijong Wi\/Pasquale d’Alessio)
\nMozart<\/span> Cos\u00ec fan tutte (with Lauren Margison\/Mikayla Sager, Tonatiuh Abrego\/Mathieu Abel)
\nPuccini<\/span> La boh\u00e8me (with Shantelle Przybylo\/Natalya Gennadi, Sebastian Hasboczki\/Rocco Rupolo)
\nR. Strauss<\/span> Ariadne auf Naxos (with Shantelle Przybylo\/Rachel Krehm, Scott Rumble, Maeve Palmer\/Melissa McCann, Michelle Siemens\/Frida Portillo)<\/p>\n

FOR SOIREE LYRIQUE, Elgin, IL<\/p>\n

Puccini<\/span> Tosca (with Tetyana Torzhevska, Simon Kyung Lee, William Powers)<\/p>\n

FOR LYRIC UNLIMITED, Chicago, IL<\/p>\n

The Magic Victrola<\/span> (with Laura Wilde, J’nai Bridges, Jonathan Johnson, Hlengiwe Mkhwanazi, Will Liverman, Jeni Houser, Julie Miller)<\/p>\n

FOR FESTIVALE LYRIQUE-EN-MER, Belle Ile, France<\/p>\n

Rossini<\/span> Il barbiere di Siviglia (with Yu Ree Jang, Mark Holland, Timothy Lafontaine, Matt Boehler)
\nDonizetti<\/span> L’elisir d’amore (with Katerina Thurman, Artavazd Sargsyan, Keith Harris, Andrew Nolen)<\/p>\n

FOR CHICAGO LATINO FESTIVAL, Chicago, IL<\/p>\n

Leone<\/span> Words and Music (broadcast live on WFMT, Chicago)
\nLeone<\/span> The Leader (with Stacey Tappan, John Concepcion, Rodell Rosel, Michelle Areyzaga. Michael Cavalieri)<\/p>\n

FOR TULSA OPERA<\/p>\n

Puccini<\/span> Madama Butterfly (with Daisy Newman)
\nSullivan<\/span> Pirates of Penzance (with James Billings, Karen Hunt)<\/p>\n

FOR THE LYRIC OPERA CENTER FOR AMERICAN ARTISTS\/RYAN OPERA CENTER<\/p>\n

Rising Stars in Concert (2007, 2009)<\/span>
\nRossini<\/span> La Cenerentola
\nDonizetti<\/span> Don Pasquale
\nSheng<\/span> The Song of Majnun (orchestra reading)
\nSaylor<\/span> Orpheus Descending (reading)<\/p>\n

FOR BOSTON LYRIC OPERA<\/p>\n

Menotti<\/span> Amahl and the Night Visitors
\nMozart<\/span> Za\u00efde (with Elizabeth Parcells, Ray DeVoll, James Maddalena)<\/p>\n

FOR THE NEW ENGLAND CHAMBER OPERA GROUP<\/p>\n

Argento<\/span> The Boor
\nBernstein<\/span> Trouble in Tahiti
\nBusoni<\/span> Arlecchino
\nEarls<\/span> The Death of King Phillip (World Premiere), Grimm Duo (World Premiere)
\nHandel<\/span> Imeneo
\nMenotti<\/span> The Medium
\nMozart<\/span> The Abduction from the Seraglio, The Goose from Cairo
\nOffenbach<\/span> Pepito
\nPergolesi<\/span> La serva padrona
\nPuccini<\/span> La Boheme, Gianni Schicchi
\nRossini<\/span> La cambiale di matrimonio
\nSelig<\/span> Chocorua (2nd production; commissioned for Tanglewood by the Fromm Foundation)
\nStravinsky<\/span> Mavra
\nWeill<\/span> Down in the Valley, Das Songspiel Mahagonny<\/p>\n

FOR ILLINOIS STATE UNIVERSITY, Bloomington<\/p>\n

Gounod<\/span> Faust (concert performance)<\/p>\n

FOR CHAMBER CONCERTS OF NEWTON (sponsor)<\/p>\n

Schemmer<\/span> Phaust (World Premiere, concert performance, with James Maddalena)<\/p>\n

FOR HOLY CROSS COLLEGE, Worcester, MA<\/p>\n

Sullivan<\/span> Trial by Jury<\/p>\n

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INSTRUMENTAL CONDUCTING<\/h3>\n

 <\/p>\n

FOR THE CHICAGO 20TH CENTURY MUSIC ENSEMBLE<\/strong><\/p>\n

Harbison<\/span> Die K\u00fcrze, Exequien for Calvin Simmons<\/p>\n

FOR WHISPERING RIVER MUSIC, Parry Sound, Ontario<\/p>\n

Mozart<\/span> Sinfonia Concertante
\nSchubert<\/span> Unfinished Symphony
\nMorehead<\/span> Landscape for tenor, flute and strings
\nBerry<\/span> October Blaze
\nHandel<\/span> Messiah<\/p>\n

FOR CUBE CONTEMPORARY CHAMBER ENSEMBLE, Chicago (partial list)<\/p>\n

Assad<\/span> Pole to Pole (World Premiere)
\nBlocker<\/span> Prism, Mirror, Lens (World Premiere)
\nCarter<\/span> Tempo e tempi
\nFerris<\/span> Eden Garden (World Premiere)
\nGrazier<\/span> Leaving, Arriving (World Premiere)
\nGrigsby<\/span> Fragments from Augustine the Saint
\nHeggie<\/span> Statuesque
\nHuydts<\/span> Three Serious Songs (World Premiere)
\nLevinson<\/span> Klezmer Rhapsody, The Tell-Tale Heart (World Premiere), Out of the Depth I Cry (World Premiere)
\nLofstrom<\/span> Walking, Running, Standing Still (World Premiere)
\nLombardo<\/span> Concertino for Piano and Three Instruments (World Premiere)
\nL\u00f3pez<\/span> Avec Swing, Fiesta!
\nMisurell-Mitchell<\/span> Cantus Interruptus, Sermon of the Middle-Aged Revolutionary Spider
\nMorehead<\/span> Disquieted Souls (with Caroline Hove, English horn), Good News Falls Gently, Homage to Thurber: A Tribute to Marshall Patner, The Wonderful Musician
\nSchwendinger<\/span> Lady Lazarus; Mise-en-sc\u00e8ne
\nSeward<\/span> Hopewell Community (World Premiere)
\nSpratlan<\/span> When Crows Gather
\nStockhausen<\/span> Zeitma\u00dfe<\/p>\n

FOR NEMO (New European Music Overseas)<\/p>\n

Boulez<\/span> Messagesquisse, D\u00e9rive<\/p>\n

FOR THE CONTEMPORARY CHAMBER PLAYERS, University of Chicago:<\/p>\n

Boulez<\/span> Improvisations sur Mallarm\u00e9 (with Elsa Charlston)<\/p>\n

FOR THE CANADIAN CONTEMPORARY MUSIC WORKSHOP, Toronto<\/p>\n

Sullivan<\/span> Frieze
\nTammearu<\/span> Concerto Borealis (World Premiere)
\nZimmermann, B.A.<\/span> Concerto for Oboe (North American Premiere)<\/p>\n

FOR THE BROOKLINE SYMPHONY<\/p>\n

Beethoven<\/span> Symphonies #2, 4, 7, 9, Leonore #3, Piano Concerto #3
\nBerlioz<\/span> Roman Carnival Overture, Overture to Les francs juges
\nBrahms<\/span> Serenade #2, Symphony #4, Variations on a Theme of Haydn
\nBruch<\/span> Violin Concerto #1Copland Lincoln Portrait
\nDvorak<\/span> Symphonies #7, 8, Cello Concerto
\nGershwin<\/span> Rhapsody in Blue
\nGrieg<\/span> Peer Gynt Suites #1 & 2, Piano Concerto
\nHaydn<\/span> Lord Nelson Mass, Oboe Concerto, Trumpet Concerto (with Rolf Smedvig)
\nIbert<\/span> Ports of Call
\nRodgers<\/span> A Rodgers & Hammerstein Evening
\nRavel<\/span> Sh\u00e9h\u00e9razade
\nRimsky-Korsakov<\/span> Scheherazade, Theme and Variations
\nRossini<\/span> Barber of Seville Overture, William Tell Overture
\nSchubert<\/span> Symphonies #8 & 9
\nSchumann<\/span> Manfred Overture, Cello Concerto, Symphony #4
\nSmetana<\/span> Moldau
\nTchaikovsky<\/span> Symphonies #1, 5, 6
\nWieniawski<\/span> Violin Concerto #2 (with Cecylia Arzewski)<\/p>\n

FOR THE NEWTON CHAMBER ORCHESTRA (partial list)<\/p>\n

J.S. Bach<\/span> Cantatas #4, 82, 91, 110, 133, 140, 150,170, 202, Brandenburg Concertos (directed from the harpsichord), Overture #2
\nHandel<\/span> Organ Concerto Op. 7 #4, Concerto Grosso Op. 6 #10
\nHaydn<\/span> Symphony #67
\nMonteverdi<\/span> Ballo: Movete al mio bel suon
\nMozart<\/span> Symphonies #29, 32, 38, 40, 41, Oboe Concerto, Eine kleine Nachtmusik, Clarinet Concerto, Sinfonia concertante for winds, Piano concertos K. 271 & K. 467, Violin Concerto #2
\nStrauss (Richard)<\/span> Oboe Concerto
\nTelemann<\/span> Overture to the Nations<\/p>\n

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CHORAL & VOCAL (NON-OPERATIC) EXPERIENCE<\/h3>\n

FOR ILLINOIS HUMANITIES COUNCIL, Chicago<\/p>\n

Anthony Davis<\/span> Voyage Through Death to Life Upon These Shores<\/p>\n

FOR TAFELMUSIC, Toronto, Ontario<\/p>\n

Handel<\/span> Messiah (complete, with original instruments, directed from the harpsichord)<\/p>\n

FOR THE NEWTON CHAMBER ORCHESTRA, Newton, MA<\/p>\n

Selig<\/span> Islands (World Premiere}<\/p>\n

FOR THE BACH-ELGAR CHOIR, Hamilton, Ontario (with the Hamilton Philharmonic Orchestra)<\/p>\n

Bach<\/span> Mass in B Minor (with Lilian Smith Weichel, Catherine Robbin, John Aler and Steven Henrikson)
\nBeethoven<\/span> Symphony #9 (“Choral”, with Lois Marsh, Doreen Nagy Albert Greer and Gary Relyea), Calm Sea and Prosperous Voyage
\nHandel<\/span> Messiah (with Heather Wilberforce, Diane Loeb, Mark Dubois and Christopher Cameron)
\nPoulenc<\/span> Gloria (with Lois Marsh)
\nSchickele<\/span> The Seasonings
\nVaughan Williams<\/span> A Sea Symphony (with Katherine Terrell and Gary Relyea)
\nVivaldi<\/span> Gloria<\/p>\n

FOR THE BROOKLINE SYMPHONY, Brookline, MA<\/p>\n

Elgar<\/span> Sea-Pictures (with D’Anna Fortunato)
\nBrahms<\/span> A German Requiem (with Kathryn Fogarty and Sanford Sylvan)<\/p>\n

FOR HOLY CROSS COLLEGE, Worcester, MA (partial list)<\/p>\n

Brahms<\/span> N\u00e4nie, Schicksalslied
\nHaydn<\/span> Lord Nelson Mass
\nPurcell<\/span> Come Ye Sons Of Art
\nSchubert<\/span> Mass in G Major<\/p>\n

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PERFORMANCE EXPERIENCE (Piano, Harpsichord, Organ)<\/h3>\n

CONCERT APPEARANCES<\/p>\n

Performed as pianist in numerous concerts and recitals, both as soloist and as accompanist, in the U.S., Canada, and Europe, including appearances at the Talloires Composers Festival (France); The Contemporary Chamber Players, New Music Chicago, CUBE (Chicago); Royal Conservatory (Toronto); Gardner Museum, Harvard University, Mount Holyoke College, New England Conservatory (Massachusetts); on WGBH-FM, WCRB-FM, WBUR-FM (Boston), WFMT-FM (Chicago) and WQXR-FM (New York); WNAC-TV, WGBH-TV, AND WCVB-TV (Boston) and CHCH-TV (Hamilton, Ontario); and recitals in Florence (with concert oboist Lothar Faber), Paris, and Carnegie Recital Hall (New York).<\/p>\n

HARPSICHORD\/ORGAN CONTINUO IN ORCHESTRAL PERFORMANCE (PARTIAL LISTING)<\/p>\n

With the Boston Symphony Orchestra<\/p>\n

(Seiji Ozawa, conducting)
\nHaydn<\/span> The Creation, The Seasons, Paukenmesse, Theresienmesse
\nVivaldi<\/span> Laudate Pueri<\/p>\n

(Leonard Bernstein, conducting)
\nBach<\/span> Magnificat
\nHaydn<\/span> Nelson Mass<\/p>\n

(Peter Maag, conducting)
\nBach<\/span> Magnificat<\/p>\n

(Harry Ellis Dickson, conducting)
\nRossini<\/span> The Barber of Seville<\/p>\n

With the Sarasota Festival Orchestra<\/p>\n

(Robert Bloom, oboist & conductor)
\nVivaldi<\/span> Oboe Concerto in F major<\/p>\n

Also performances with the Brockton & Newton Symphonies, Michel Sasson, conductor<\/p>\n

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OPERA CONDUCTING EXPERIENCE INSTRUMENTAL CONDUCTING EXPERIENCE CHORAL & VOCAL (NON-OPERATIC) EXPERIENCE PERFORMANCE EXPERIENCE . OPERA CONDUCTING FOR LYRIC OPERA OF CHICAGO Davis Amistad (with Thomas Young, Florence Quivar, Stephen West) Strauss, J. Die Fledermaus (with Andrea Rost, Bo Skovhus, Marlis Petersen) Verdi Un ballo in maschera (with Sondra Radvanovsky, Frank Lopardo, Mark Delavan, Stephanie Blythe) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.philipmorehead.com\/staging\/wp-json\/wp\/v2\/pages\/11"}],"collection":[{"href":"https:\/\/www.philipmorehead.com\/staging\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.philipmorehead.com\/staging\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.philipmorehead.com\/staging\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.philipmorehead.com\/staging\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":117,"href":"https:\/\/www.philipmorehead.com\/staging\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":1354,"href":"https:\/\/www.philipmorehead.com\/staging\/wp-json\/wp\/v2\/pages\/11\/revisions\/1354"}],"wp:attachment":[{"href":"https:\/\/www.philipmorehead.com\/staging\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}